Back to the trend of the day: BLACKPINK star Lisa releases her new six-song album today
Poly Rating · from the trend of the day

Lisa SaWaDiKa Billboard Hot 100 vs K-pop Solo Hits 2026

Lisa's 'SaWaDiKa' drew 70.8 million YouTube views in 24 hours and still debuted at only No. 69 on the Hot 100, while Jimin's 'Like Crazy' reached No. 1 with just 64,000 radio listeners.

  • No. 1: Jung Kook – Seven (feat. Latto)
  • 9 places

01Final list

The leading AIs built their own top-ten lists independently. Above is one combined result that is easy to check: every place has a reason, the AIs that included it and, where the AIs gave one, a source.

Order: from most to least AI agreement.

A bright badge means this AI put the entry on its list. A dim badge means it did not.

  1. 1

    Jung Kook – Seven (feat. Latto)

    No. 1 debut and 15 weeks, but radio stalled around No. 17–19 on Pop Airplay. Kworb shows 2.82B chart-tracked Spotify streams, or 3.1B on its total count.

    Included it: Claude, ChatGPT, Meta, Grok, Gemini, StepFun, DeepSeek, Kimi. Did not include: Wenxin.

    In their lists: Claude: 1 · ChatGPT: 2 · Meta: 1 · Grok: 2 · Gemini: 1 · StepFun: 1 · DeepSeek: 1 · Kimi: 2

    What each AI noted 8
    • Claudeplace 1

      It is the only song on this list that both topped the Hot 100 and became a global streaming giant, at about 2.9 billion Spotify streams.

    • ChatGPTplace 2

      More than 3.1 billion Spotify streams and a No. 1 Hot 100 debut make this the clearest all-around solo crossover benchmark.

    • Metaplace 1

      #1 Hot 100 debut (68th ever) with 21.9M US streams, but 2.5B Spotify total makes it the only K-pop song over 2.5B

    • Grokplace 2

      First K-pop solo No. 1 on Hot 100 and first Asian track past 3 billion Spotify streams

    • Geminiplace 1

      The rare K-pop solo release that conquered both sides of the Atlantic, debuting at No. 1 on the Hot 100 and reaching No. 19 on US Radio Songs while crossing 2 billion Spotify streams in record time.

    • StepFunplace 1

      The only K-pop solo No. 1 that owns the streams, the radio audience and the global chart at the same time.

    • DeepSeekplace 1

      The only K-pop solo song with a No. 1 Hot 100 debut and more than 3 billion Spotify streams — but radio was never the engine.

      Source ↗
    • Kimiplace 2

      The most-streamed K-pop song in Spotify history (3.1 billion) — and it debuted at No. 1 on the Hot 100 with 89.7 million global streams in week one.

    8 AIs put it here
  2. 2

    ROSÉ & Bruno Mars – APT.

    Peaked at No. 3 but has the strongest radio record here: first K-pop No. 1 on Pop Airplay, 1.11B US radio impressions in H1 2025, and 2.68B Spotify streams.

    Included it: Claude, ChatGPT, Meta, Grok, Gemini, StepFun, DeepSeek, Wenxin. Did not include: Kimi.

    In their lists: Claude: 2 · ChatGPT: 1 · Meta: 2 · Grok: 1 · Gemini: 3 · StepFun: 2 · DeepSeek: 2 · Wenxin: 1

    What each AI noted 8
    • Claudeplace 2

      It debuted at No. 8 and climbed to No. 3 in February 2025, then passed 2 billion Spotify streams. The Hot 100 rewarded it nearly as much as global listeners did.

      Source ↗
    • ChatGPTplace 1

      A K-pop soloist's crossover hit climbed from a No. 8 Hot 100 debut to No. 3, while passing 2.67 billion Spotify streams.

    • Metaplace 2

      #3 Hot 100 highest female K-pop ever, 45 weeks longest K-pop Hot 100 run, 1B Spotify in 100 days second-fastest ever

    • Grokplace 1

      Only K-pop solo track to hit Hot 100 No. 3 and stay 35+ weeks while crossing 2.6 billion Spotify streams

    • Geminiplace 3

      Bridged the historic US radio deficit for female Korean acts, surging to No. 3 on the Hot 100 with heavy pop radio rotation and crossing 1 billion global streams at unprecedented speed.

    • StepFunplace 2

      A billion Spotify streams in 100 days, the second-fastest in the platform's history, and still the highest Hot 100 peak by a female K-pop soloist.

    • DeepSeekplace 2

      No. 3 on the Hot 100 and No. 4 on Radio Songs — the most balanced K-pop solo hit in US chart history.

    • Wenxinplace 1

      The only K-pop solo collab to crack the Hot 100 Top 3 and hit 400M Spotify streams — radio played it like a Bruno single, not a K-pop import

    8 AIs put it here
  3. 3

    Jimin – Who

    Debuted at No. 1 worldwide but only No. 12 in the US. It still held 33 Hot 100 weeks and has 2.57B Spotify streams; Pop Airplay peak No. 26.

    Included it: Claude, ChatGPT, Meta, Grok, Gemini, StepFun, DeepSeek, Kimi. Did not include: Wenxin.

    In their lists: Claude: 4 · ChatGPT: 3 · Meta: 5 · Grok: 6 · Gemini: 7 · StepFun: 6 · DeepSeek: 3 · Kimi: 5

    What each AI noted 8
    • Claudeplace 4

      It matched Psy's "Gangnam Style" for the longest Hot 100 run by a K-pop soloist, 33 weeks, even though radio mostly ignored it.

      Source ↗
    • ChatGPTplace 3

      Its global streaming endurance is extraordinary: more than 2.56 billion Spotify streams, with a Hot 100 peak of No. 12.

      Source ↗
    • Metaplace 5

      #14 debut then 33 weeks Hot 100 — longest K-pop Hot 100 song ever, beating PSY's 31-week Gangnam Style

    • Grokplace 6

      33-week Hot 100 run that held the K-pop longevity record until APT. overtook it

    • Geminiplace 7

      Defied traditional front-loaded fandom drops by staying on the Hot 100 for over 22 weeks with a peak at No. 12, balancing steady US on-demand streaming with growing secondary radio play.

    • StepFunplace 6

      A No. 1 global debut and 2.57 billion Spotify streams - but only No. 12 in America.

    • DeepSeekplace 3

      2.5 billion Spotify streams and 33 weeks on the Hot 100, yet its Pop Airplay peak was only No. 26 — a streaming giant that US radio under-served.

    • Kimiplace 5

      Only No. 12 on the Hot 100 — but 33 weeks, the slow-burn US radio breakthrough that 'APT.' later passed for the K-pop longevity record.

    8 AIs put it here
  4. 4

    LISA – SaWaDiKa

    70.8M YouTube views in 24 hours and No. 13 on Spotify's global chart, but No. 69 on the Hot 100 and No. 93 a week later.

    Included it: Claude, ChatGPT, Meta, Grok, Gemini, StepFun, DeepSeek, Wenxin. Did not include: Kimi.

    In their lists: Claude: 6 · ChatGPT: 5 · Meta: 7 · Grok: 5 · Gemini: 10 · StepFun: 10 · DeepSeek: 7 · Wenxin: 5

    What each AI noted 8
    • Claudeplace 6

      Its YouTube debut of 70.8M views in 24 hours was only just behind "LALISA", yet the Hot 100 gave it No. 69, Lisa's best debut.

    • ChatGPTplace 5

      The sharpest chart-versus-video mismatch in this ranking: 70.8 million first-day views, but No. 69 on the US Hot 100.

      Source ↗
    • Metaplace 7

      #69 Hot 100 debut with 70.8M YouTube 24h biggest video debut of 2026 but only #53 US Spotify vs #13 Global

    • Grokplace 5

      70.8 million YouTube views in 24 hours yet only No. 69 Hot 100 debut — classic global-over-US gap

      Source ↗
    • Geminiplace 10

      Debuted at No. 69 on the Hot 100 on the back of 70.8 million day-one YouTube views and 2.8 million Spotify plays, facing the recurring K-pop hurdle where heavy visual consumption does not yield domestic radio support.

    • StepFunplace 10

      70.8 million YouTube views in a day and 2.79 million Spotify streams on debut - for a No. 69 entry with no radio impact and no promotion.

      Source ↗
    • DeepSeekplace 7

      70.8 million YouTube views in 24 hours but only 57.5 million Spotify streams in total — video and audio tell different stories.

    • Wenxinplace 5

      Hot 100 debut No. 69 on day one with 100M+ YouTube in 48 hrs — the radio test starts now

    8 AIs put it here
  5. 5

    Jimin – Like Crazy

    Also a No. 1 debut, but built on 254,000 sales and only 64,000 radio listeners. It left the chart after five weeks; Spotify now shows 1.49B streams.

    Included it: ChatGPT, Meta, Gemini, StepFun, DeepSeek, Kimi. Did not include: Claude, Grok, Wenxin.

    In their lists: ChatGPT: 4 · Meta: 3 · Gemini: 4 · StepFun: 4 · DeepSeek: 4 · Kimi: 3

    What each AI noted 6
    • ChatGPTplace 4

      A No. 1 Hot 100 debut and roughly 1.49 billion Spotify streams show how far a Korean-language solo song can travel without relying on a US radio smash.

      Source ↗
    • Metaplace 3

      First Korean solo #1 Hot 100, but only 5 weeks on Hot 100 vs 60 weeks on Global 200 and 1B Spotify

    • Geminiplace 4

      Became the first Korean soloist to debut at No. 1 on the Hot 100 with 254,000 digital sales, but plummeted 44 spots in week two after receiving virtually non-existent US radio airplay of just 64,000 audience impressions.

    • StepFunplace 4

      A No. 1 built on 254,000 downloads and 64,000 radio listeners - the lowest airplay audience for a Hot 100 leader this decade.

    • DeepSeekplace 4

      A No. 1 Hot 100 debut built on 254,000 sales and just 64,000 radio audience impressions — the lowest radio figure for a No. 1 this decade.

    • Kimiplace 3

      The first K-pop solo No. 1 in Hot 100 history — powered by 254,000 sales and just 64,000 radio impressions, the lowest airplay for a No. 1 this decade.

    6 AIs put it here
  6. 6

    Jung Kook – Standing Next to You

    Same No. 5 peak as 3D but with no featured guest, 19 Hot 100 weeks and 1.54B Spotify streams.

    Included it: Meta, Grok, Gemini, StepFun, DeepSeek. Did not include: Claude, ChatGPT, Wenxin, Kimi.

    In their lists: Meta: 4 · Grok: 3 · Gemini: 8 · StepFun: 8 · DeepSeek: 8

    What each AI noted 5
    • Metaplace 4

      #5 Hot 100 with 10.6M streams + 99k sales, 19 weeks on Hot 100 — third Hot 100 Top 10 for same soloist

    • Grokplace 3

      Second Jung Kook solo past 1.5 billion Spotify streams and 19-week Hot 100 run

    • Geminiplace 8

      A deliberate homage to vintage US funk-pop that debuted at No. 5 on the Hot 100, logging 19 weeks on chart thanks to label-serviced US radio spins that generated over 800 million global streams.

    • StepFunplace 8

      The same No. 5 Hot 100 peak as '3D', but 320 million more Spotify streams and no featured rapper.

      Source ↗
    • DeepSeekplace 8

      No. 5 on the Hot 100 and 1.5 billion Spotify streams — a steady hit that never became a US radio staple.

      Source ↗
    5 AIs put it here
  7. 7

    LISA – Rockstar

    No. 1 on Billboard's Global Excl. U.S. chart but No. 70 for a single week in America; it has 648M Spotify streams since.

    Included it: Claude, Meta, Grok, Gemini, Kimi. Did not include: ChatGPT, StepFun, DeepSeek, Wenxin.

    In their lists: Claude: 9 · Meta: 8 · Grok: 10 · Gemini: 9 · Kimi: 9

    What each AI noted 5
    • Claudeplace 9

      It is Lisa's best-charting song before "SaWaDiKa" at No. 70, and it topped the Global Excl. U.S. chart. That is a wide gap between the US and everywhere else.

    • Metaplace 8

      #70 Hot 100 but #4 Global 200 and #1 Global Excl US — global #1 vs US #70 gap = under-reward case

    • Grokplace 10

      No. 70 Hot 100 peak that SaWaDiKa later edged out as her second-highest pure-solo entry

    • Geminiplace 9

      Generated 32.4 million YouTube views in 24 hours under her own LLOUD imprint, entering the Hot 100 at No. 70 before radio silence caused an early chart exit despite strong worldwide streaming.

    • Kimiplace 9

      No. 1 on Billboard's Global Excl. U.S. chart — the world loved it, America barely noticed: No. 70 on the Hot 100, one week.

    5 AIs put it here
    no source given
  8. 8

    Jung Kook – 3D (feat. Jack Harlow)

    No. 5 in the US and No. 1 worldwide in its first week, but only about five weeks on the Hot 100.

    Included it: Claude, Meta, Grok. Did not include: ChatGPT, Gemini, StepFun, DeepSeek, Wenxin, Kimi.

    In their lists: Claude: 5 · Meta: 9 · Grok: 7

    What each AI noted 3
    • Claudeplace 5

      It was No. 1 worldwide and No. 5 in the US in its first week, and had five Hot 100 weeks by one count. That is a very strong start with a short stay.

    • Metaplace 9

      #5 Hot 100 with 13.6M streams + 3.1M radio + 87k sales — first Korean soloist two Top 5s

    • Grokplace 7

      Hot 100 No. 5 and over 1.2 billion Spotify streams from the same GOLDEN album as Standing Next to You

      Source ↗
    3 AIs put it here
  9. 9

    LISA – Born Again (feat. Doja Cat & RAYE)

    Lisa's best Hot 100 peak, No. 68, one place above SaWaDiKa, with about 400M Spotify streams on Kworb.

    Included it: Grok, StepFun. Did not include: Claude, ChatGPT, Meta, Gemini, DeepSeek, Wenxin, Kimi.

    In their lists: Grok: 9 · StepFun: 9

    What each AI noted 2
    • Grokplace 9

      Lisa’s highest pure-collab Hot 100 peak at No. 68 and multi-week stay

      Source ↗
    • StepFunplace 9

      No. 90 on the Hot 100, 1.4 billion Spotify streams and a billion-view video - the biggest under-reward on this list.

    2 AIs put it here

02Worth knowing

What the AIs noticed while building the list.

'Like Crazy' reached No. 1 with 64,000 weekly radio listeners, the lowest for a chart-topper this decade, because it sold 254,000 copies in week one. The US formula rewarded sales, not listening.

Noticed by:
Included it: Gemini, StepFun, DeepSeek, Kimi. Did not include: Claude, ChatGPT, Meta, Grok, Wenxin.
Source ↗

The biggest gap the US chart leaves out is Lisa's 'MONEY': 1.44 billion Spotify streams and a Hot 100 peak of only No. 90, too low for this top 10.

Noticed by:
Included it: Claude, Gemini, StepFun, DeepSeek, Kimi. Did not include: ChatGPT, Meta, Grok, Wenxin.
Source ↗

'APT.' is the one song US radio fully adopted: the first K-pop No. 1 on Pop Airplay and 1.11 billion radio impressions in the first half of 2025.

Noticed by:
Included it: ChatGPT, Meta, Grok, StepFun, Kimi. Did not include: Claude, Gemini, DeepSeek, Wenxin.
Source ↗

'Dracula' (Tame Impala with JENNIE, Hot 100 No. 5 and Radio Songs No. 1) and 'One of the Girls' (The Weeknd's single, 2.91B streams, No. 51) are left out because they are Western-led records, not songs led by a K-pop soloist. One answer reports 'Dracula' entering Radio Songs at only No. 49.

Noticed by:
Included it: Claude, Grok, StepFun, DeepSeek, Kimi. Did not include: ChatGPT, Meta, Gemini, Wenxin.
Source ↗

Some fan posts call SaWaDiKa's No. 69 the best Hot 100 peak by a female K-pop soloist. That is wrong: 'APT.' reached No. 3, and Lisa's own 'Born Again' reached No. 68.

Noticed by:
Included it: StepFun. Did not include: Claude, ChatGPT, Meta, Grok, Gemini, DeepSeek, Wenxin, Kimi.
Source ↗

03How we counted

In plain words, no formulas.

1The question

Top 10 K-pop Solo Songs in America: Hot 100 Rank vs. Radio vs. Global Streams vs. Video Views

2Why this topic

No published table puts US chart rank, US radio, global streams and video views side by side, and that comparison shows how much of a global hit never reaches the American chart.

3Where it applies

Global, with a focus on how K-pop soloists do in the US market

4What we looked at

  • Peak position on the Billboard Hot 100, which combines US streams, digital sales and radio airplay
  • US radio audience on the Billboard Radio Songs chart, which shows how much the general public hears the song
  • Spotify global streams, both first-week and total, including the 400-million club
  • YouTube views of the official video in the first 24 hours and the first week
  • The gap between the US chart rank and the global streaming and video ranks, and how long the song stays on each list
  • Billboard Hot 100 (Luminate data) — Weekly US song chart that combines streams, digital sales and radio airplay: peak position and weeks on the chart. This board sets the order.
  • Billboard Radio Songs / Pop Airplay — Weekly US radio audience. Radio Songs counts all formats, Pop Airplay counts Top 40 stations.
  • Spotify via Kworb — Global daily plays and lifetime streams per track, including the 400-million club.

5Who ranked

The leading AIs, each building its own list of ten independently and naming a source for every place: Claude, ChatGPT, Meta, Grok, Gemini, StepFun, DeepSeek, Wenxin, Kimi.

6How the places were set

The same entry written differently by different AIs was counted as one. The more AIs put an entry on their list, and the higher they put it, the higher its place. "AI agreement" shows how many of the AIs had it on their own list. Sources are only those the AIs found themselves; nothing was added by hand.

04Each AI's own list

🇺🇸 Claude10 places · 3 notes

The same question, answered by Claude alone. The final list above combines all the AIs.

  1. 1
    Jung Kook – "Seven" (feat. Latto, 2023)

    It is the only song on this list that both topped the Hot 100 and became a global streaming giant, at about 2.9 billion Spotify streams.

  2. 2
    Rosé & Bruno Mars – "APT." (2024)

    It debuted at No. 8 and climbed to No. 3 in February 2025, then passed 2 billion Spotify streams. The Hot 100 rewarded it nearly as much as global listeners did.

    Source ↗
  3. 3
    Jennie & Tame Impala – "Dracula" (Jennie remix, 2026)

    It is still climbing in its seventh month. It is back at No. 5 on the Hot 100, which Jennie reached as a guest on a Tame Impala song.

  4. 4
    Jimin – "Who" (2024)

    It matched Psy's "Gangnam Style" for the longest Hot 100 run by a K-pop soloist, 33 weeks, even though radio mostly ignored it.

    Source ↗
  5. 5
    Jung Kook – "3D" (feat. Jack Harlow, 2023)

    It was No. 1 worldwide and No. 5 in the US in its first week, and had five Hot 100 weeks by one count. That is a very strong start with a short stay.

  6. 6
    Lisa – "SaWaDiKa" (2026)

    Its YouTube debut of 70.8M views in 24 hours was only just behind "LALISA", yet the Hot 100 gave it No. 69, Lisa's best debut.

  7. 7
    Lisa – "Money" (2021)

    It was the first K-pop solo track to pass 1 billion Spotify streams, from a Hot 100 debut of only No. 90.

  8. 8
    Jennie, The Weeknd & Lily-Rose Depp – "One of the Girls" (2023)

    It held the record as the highest-charting female K-pop soloist song on the Hot 100 at No. 51, and it was also the first to go platinum in the US.

    Source ↗
  9. 9
    Lisa – "Rockstar" (2024)

    It is Lisa's best-charting song before "SaWaDiKa" at No. 70, and it topped the Global Excl. U.S. chart. That is a wide gap between the US and everywhere else.

  10. 10
    Jisoo – "Flower" (2023)

    It reached No. 2 on the Global 200, yet it never made the Hot 100.

What Claude noticed

Jimin's "Who" ran 33 weeks on the Hot 100, matching Psy's "Gangnam Style", but it peaked only around No. 26–29 on Pop Airplay. It lasted on streaming and sales, not on radio.

Jung Kook's "Seven" went to No. 1 on the Hot 100, but its Pop Airplay peak was only No. 17–19. Even the biggest K-pop solo hit was mainly a streaming hit in the US.

"Dracula" is the exception on radio: the Jennie remix entered Radio Songs at No. 49 and is reported in the Pop Airplay top 10, so a K-pop name can get radio play when it joins a rock-pop act with radio standing.

🇺🇸 ChatGPT10 places · 1 notes

The same question, answered by ChatGPT alone. The final list above combines all the AIs.

  1. 1
    APT. — ROSÉ and Bruno Mars (2024)

    A K-pop soloist's crossover hit climbed from a No. 8 Hot 100 debut to No. 3, while passing 2.67 billion Spotify streams.

  2. 2
    Seven (feat. Latto) — Jung Kook (2023)

    More than 3.1 billion Spotify streams and a No. 1 Hot 100 debut make this the clearest all-around solo crossover benchmark.

  3. 3
    Who — Jimin (2024)

    Its global streaming endurance is extraordinary: more than 2.56 billion Spotify streams, with a Hot 100 peak of No. 12.

    Source ↗
  4. 4
    Like Crazy — Jimin (2023)

    A No. 1 Hot 100 debut and roughly 1.49 billion Spotify streams show how far a Korean-language solo song can travel without relying on a US radio smash.

    Source ↗
  5. 5
    SaWaDiKa — LISA (2026)

    The sharpest chart-versus-video mismatch in this ranking: 70.8 million first-day views, but No. 69 on the US Hot 100.

    Source ↗
  6. 6
    MONEY — LISA (2021)

    A catalogue giant: approximately 1.4 billion Spotify streams despite a much smaller US singles-chart profile than its worldwide afterlife suggests.

  7. 7
    SOLO — JENNIE (2018)

    The early solo template still has more than 800 million Spotify streams and a catalogue life extending far beyond its debut week.

    Source ↗
  8. 8
    like JENNIE — JENNIE (2025)

    Nearly 965 million Spotify streams make a solo track without a major featured Western star a serious catalogue contender.

    Source ↗
  9. 9
    LALISA — LISA (2021)

    A 73.6-million-view first day became a Guinness-recognized solo-video record, even though video velocity alone cannot predict US radio success.

  10. 10
    FLOWER — JISOO (2023)

    More than 640 million Spotify streams give Jisoo a durable solo hit, even without the radio footprint of a major US crossover single.

What ChatGPT noticed

SaWaDiKa demonstrates the distinction between worldwide video demand and US chart conversion. Its reported 70.8 million first-day views and top-10 YouTube placement across 26 countries coexist with a No. 69 Hot 100 debut. That is a meaningful mismatch, not proof that Billboard's formula is incorrect: the audiences, platforms and measurement windows differ.

🇺🇸 Meta10 places · 2 notes

The same question, answered by Meta alone. The final list above combines all the AIs.

  1. 1
    Jungkook – Seven (feat. Latto) (2023)

    #1 Hot 100 debut (68th ever) with 21.9M US streams, but 2.5B Spotify total makes it the only K-pop song over 2.5B

  2. 2
    Rosé & Bruno Mars – APT. (2024)

    #3 Hot 100 highest female K-pop ever, 45 weeks longest K-pop Hot 100 run, 1B Spotify in 100 days second-fastest ever

  3. 3
    Jimin – Like Crazy (2023)

    First Korean solo #1 Hot 100, but only 5 weeks on Hot 100 vs 60 weeks on Global 200 and 1B Spotify

  4. 4
    Jungkook – Standing Next to You (2023)

    #5 Hot 100 with 10.6M streams + 99k sales, 19 weeks on Hot 100 — third Hot 100 Top 10 for same soloist

  5. 5
    Jimin – Who (2024)

    #14 debut then 33 weeks Hot 100 — longest K-pop Hot 100 song ever, beating PSY's 31-week Gangnam Style

  6. 6
    Jennie – One Of The Girls with The Weeknd & Lily-Rose Depp (2023)

    #51 Hot 100 highest female K-pop soloist at time, 20 weeks Hot 100 and Platinum without Top 40 radio

    Source ↗
  7. 7
    Lisa – SaWaDiKa (2026)

    #69 Hot 100 debut with 70.8M YouTube 24h biggest video debut of 2026 but only #53 US Spotify vs #13 Global

  8. 8
    Lisa – Rockstar (2024)

    #70 Hot 100 but #4 Global 200 and #1 Global Excl US — global #1 vs US #70 gap = under-reward case

  9. 9
    Jungkook – 3D (feat. Jack Harlow) (2023)

    #5 Hot 100 with 13.6M streams + 3.1M radio + 87k sales — first Korean soloist two Top 5s

  10. 10
    Jennie – Mantra (2024)

    #98 Hot 100 debut but #2 Global 200 and #3 Global Excl US — global hit US chart barely rewards

What Meta noticed

SaWaDiKa 70.8M YouTube 24h is biggest 2026 debut and second-biggest solo debut ever after Lisa's own Lalisa 73.6M, but Hot 100 #69 is 68 spots lower than Lalisa's global rank

One Of The Girls spent 20 weeks Hot 100 without ever entering Pop Airplay Top 10, while APT. needed Pop Airplay #1 to reach 45 weeks — two different US longevity models

🇺🇸 Grok10 places · 1 notes

The same question, answered by Grok alone. The final list above combines all the AIs.

  1. 1
    APT. (Rosé & Bruno Mars, 2024)

    Only K-pop solo track to hit Hot 100 No. 3 and stay 35+ weeks while crossing 2.6 billion Spotify streams

  2. 2
    Seven (Jung Kook feat. Latto, 2023)

    First K-pop solo No. 1 on Hot 100 and first Asian track past 3 billion Spotify streams

  3. 3
    Standing Next to You (Jung Kook, 2023)

    Second Jung Kook solo past 1.5 billion Spotify streams and 19-week Hot 100 run

  4. 4
    One of the Girls (The Weeknd, Jennie & Lily-Rose Depp, 2023)

    2.9 billion Spotify streams and nearly 1,100 days on Global chart despite only No. 51 Hot 100 peak

  5. 5
    SaWaDiKa (Lisa, 2026)

    70.8 million YouTube views in 24 hours yet only No. 69 Hot 100 debut — classic global-over-US gap

    Source ↗
  6. 6
    Who (Jimin, 2024)

    33-week Hot 100 run that held the K-pop longevity record until APT. overtook it

  7. 7
    3D (Jung Kook feat. Jack Harlow, 2023)

    Hot 100 No. 5 and over 1.2 billion Spotify streams from the same GOLDEN album as Standing Next to You

    Source ↗
  8. 8
    Money (Lisa, 2021)

    Multi-week Hot 100 stay and early proof that pure solo K-pop could linger beyond debut week

  9. 9
    Born Again (Lisa feat. Doja Cat & RAYE, 2025)

    Lisa’s highest pure-collab Hot 100 peak at No. 68 and multi-week stay

    Source ↗
  10. 10
    Rockstar (Lisa, 2024)

    No. 70 Hot 100 peak that SaWaDiKa later edged out as her second-highest pure-solo entry

What Grok noticed

SaWaDiKa’s 70.8 million YouTube day and 2.8 million Spotify open dwarf its No. 69 Hot 100 debut, illustrating the classic global-streams-over-US-radio gap for pure solo K-pop.

🇺🇸 Gemini10 places

The same question, answered by Gemini alone. The final list above combines all the AIs.

  1. 1
    Jung Kook – 'Seven' (feat. Latto) (2023)

    The rare K-pop solo release that conquered both sides of the Atlantic, debuting at No. 1 on the Hot 100 and reaching No. 19 on US Radio Songs while crossing 2 billion Spotify streams in record time.

  2. 2
    Psy – 'Gangnam Style' (2012)

    A viral juggernaut of 5.3 billion views that peaked at No. 2 on the Hot 100 for seven weeks, held off No. 1 solely because US radio programmers capped it at No. 12.

  3. 3
    Rosé & Bruno Mars – 'APT.' (2024)

    Bridged the historic US radio deficit for female Korean acts, surging to No. 3 on the Hot 100 with heavy pop radio rotation and crossing 1 billion global streams at unprecedented speed.

  4. 4
    Jimin – 'Like Crazy' (2023)

    Became the first Korean soloist to debut at No. 1 on the Hot 100 with 254,000 digital sales, but plummeted 44 spots in week two after receiving virtually non-existent US radio airplay of just 64,000 audience impressions.

  5. 5
    Jennie, The Weeknd & Lily-Rose Depp – 'One of the Girls' (2023)

    A slow-burning global titan that surpassed 1.4 billion Spotify plays and spent 20 weeks on the Hot 100, yet peaked at only No. 51 due to delayed US airplay pick-up.

  6. 6
    Lisa – 'Money' (2021)

    Accumulated over 1.2 billion Spotify streams and 1 billion YouTube views, yet only managed a No. 90 peak on the Hot 100, revealing the massive gap between global streaming dominance and US radio calculations.

  7. 7
    Jimin – 'Who' (2024)

    Defied traditional front-loaded fandom drops by staying on the Hot 100 for over 22 weeks with a peak at No. 12, balancing steady US on-demand streaming with growing secondary radio play.

  8. 8
    Jung Kook – 'Standing Next to You' (2023)

    A deliberate homage to vintage US funk-pop that debuted at No. 5 on the Hot 100, logging 19 weeks on chart thanks to label-serviced US radio spins that generated over 800 million global streams.

  9. 9
    Lisa – 'Rockstar' (2024)

    Generated 32.4 million YouTube views in 24 hours under her own LLOUD imprint, entering the Hot 100 at No. 70 before radio silence caused an early chart exit despite strong worldwide streaming.

  10. 10
    Lisa – 'SaWaDiKa' (2026)

    Debuted at No. 69 on the Hot 100 on the back of 70.8 million day-one YouTube views and 2.8 million Spotify plays, facing the recurring K-pop hurdle where heavy visual consumption does not yield domestic radio support.

🇨🇳 StepFun10 places

The same question, answered by StepFun alone. The final list above combines all the AIs.

  1. 1
    Seven (feat. Latto) - Jungkook (2023)

    The only K-pop solo No. 1 that owns the streams, the radio audience and the global chart at the same time.

  2. 2
    APT. - Rose and Bruno Mars (2024)

    A billion Spotify streams in 100 days, the second-fastest in the platform's history, and still the highest Hot 100 peak by a female K-pop soloist.

  3. 3
    Gangnam Style - PSY (2012)

    Six billion YouTube views and the K-pop solo Hot 100 record for 11 years - on roughly 708 million Spotify streams.

    Source ↗
  4. 4
    Like Crazy - Jimin (2023)

    A No. 1 built on 254,000 downloads and 64,000 radio listeners - the lowest airplay audience for a Hot 100 leader this decade.

  5. 5
    Dracula - Tame Impala and JENNIE (2026)

    The first song co-billed to a K-pop soloist to top the all-format Radio Songs chart - and, 45 weeks in, the longest-charting Hot 100 song by any K-pop act.

  6. 6
    Who - Jimin (2024)

    A No. 1 global debut and 2.57 billion Spotify streams - but only No. 12 in America.

  7. 7
    One of the Girls - The Weeknd, JENNIE and Lily-Rose Depp (2023)

    2.91 billion Spotify streams, more than any other song here, for a track that never got past No. 51 in America.

    Source ↗
  8. 8
    Standing Next to You - Jungkook (2023)

    The same No. 5 Hot 100 peak as '3D', but 320 million more Spotify streams and no featured rapper.

    Source ↗
  9. 9
    MONEY - Lisa (2021)

    No. 90 on the Hot 100, 1.4 billion Spotify streams and a billion-view video - the biggest under-reward on this list.

  10. 10
    SaWaDiKa - Lisa (2026)

    70.8 million YouTube views in a day and 2.79 million Spotify streams on debut - for a No. 69 entry with no radio impact and no promotion.

    Source ↗
🇨🇳 DeepSeek10 places · 1 notes

The same question, answered by DeepSeek alone. The final list above combines all the AIs.

  1. 1
    Jungkook – Seven (feat. Latto), 2023

    The only K-pop solo song with a No. 1 Hot 100 debut and more than 3 billion Spotify streams — but radio was never the engine.

    Source ↗
  2. 2
    Rosé & Bruno Mars – APT., 2024

    No. 3 on the Hot 100 and No. 4 on Radio Songs — the most balanced K-pop solo hit in US chart history.

  3. 3
    Jimin – Who, 2024

    2.5 billion Spotify streams and 33 weeks on the Hot 100, yet its Pop Airplay peak was only No. 26 — a streaming giant that US radio under-served.

  4. 4
    Jimin – Like Crazy, 2023

    A No. 1 Hot 100 debut built on 254,000 sales and just 64,000 radio audience impressions — the lowest radio figure for a No. 1 this decade.

  5. 5
    Jennie & Tame Impala – Dracula (Remix), 2026

    No. 5 on the Hot 100 and No. 1 on Radio Songs with 62.6 million audience — US radio rewards it far more than its 500 million global Spotify streams would suggest.

    Source ↗
  6. 6
    Lisa – Money, 2021

    1.4 billion Spotify streams but only No. 90 on the Hot 100 — the widest chart-to-streams gap on this list.

  7. 7
    Lisa – SaWaDiKa, 2026

    70.8 million YouTube views in 24 hours but only 57.5 million Spotify streams in total — video and audio tell different stories.

  8. 8
    Jungkook – Standing Next to You, 2023

    No. 5 on the Hot 100 and 1.5 billion Spotify streams — a steady hit that never became a US radio staple.

    Source ↗
  9. 9
    V – Winter Ahead (with Park Hyo-shin), 2024

    No. 99 on the Hot 100 but 700 million Spotify streams — a holiday song that US radio never touched.

    Source ↗
  10. 10
    Agust D (Suga) – Haegeum, 2023

    No. 58 on the Hot 100 with 404 million Spotify streams and zero US radio airplay.

What DeepSeek noticed

Jennie's Dracula reached No. 1 on Billboard Radio Songs with 62.6 million audience impressions, yet its Spotify total (500 million) is a fraction of songs ranked far lower on the Hot 100.

🇨🇳 Wenxin10 places

The same question, answered by Wenxin alone. The final list above combines all the AIs.

  1. 1
    APT. — Rosé ft. Bruno Mars (2024)

    The only K-pop solo collab to crack the Hot 100 Top 3 and hit 400M Spotify streams — radio played it like a Bruno single, not a K-pop import

  2. 2
    LALISA — Lisa (2021)

    Hot 100 No. 84 with a YouTube sledgehammer (90M in 24 hrs) — the gap between US chart and global video is the widest on this list

  3. 3
    MONEY — Lisa (2021)

    No Hot 100 entry and no radio spins, yet 900M+ Spotify streams — the quintessential US-radio-ignores-it global monster

  4. 4
    Pink Venom — BLACKPINK (2022 group, Jennie lead)

    Peaked at Hot 100 No. 22 and was the first K-pop group song to reach the top 25 — US radio finally heard a BLACKPINK track

  5. 5
    SaWaDiKa — Lisa (2026)

    Hot 100 debut No. 69 on day one with 100M+ YouTube in 48 hrs — the radio test starts now

  6. 6
    Shoong! — Lisa (2024, from Alter Ego)

    Hot 100 No. 68 with a Spotify total still climbing — US radio is silent, but the fanbase moved it on pure streams

  7. 7
    On The Ground — Rosé (2021)

    Hot 100 No. 70 with a relatively modest YouTube debut — it built slowly worldwide, the opposite of a viral smash

  8. 8
    You & Me — Jennie (2023)

    No Hot 100 entry, but 140M+ Spotify streams and a 22M-view YouTube debut — the quiet underperformer on US charts relative to global pull

  9. 9
    Mantra — Jennie (2024)

    No Hot 100 entry, no radio, yet 200M+ Spotify — another Jennie track the US formula completely skips

  10. 10
    Flower — Jisoo (2023)

    Hot 100 No. 90, the weakest chart showing among these ten — but a steady 160M+ Spotify total and 35M-view YouTube keep it alive globally

🇨🇳 Kimi10 places

The same question, answered by Kimi alone. The final list above combines all the AIs.

  1. 1
    APT. — Rosé & Bruno Mars (2024)

    The first K-pop song ever to top US pop radio — and it passed Jimin's 'Who' to become the longest-charting K-pop hit in Hot 100 history.

  2. 2
    Seven — Jungkook feat. Latto (2023)

    The most-streamed K-pop song in Spotify history (3.1 billion) — and it debuted at No. 1 on the Hot 100 with 89.7 million global streams in week one.

  3. 3
    Like Crazy — Jimin (2023)

    The first K-pop solo No. 1 in Hot 100 history — powered by 254,000 sales and just 64,000 radio impressions, the lowest airplay for a No. 1 this decade.

  4. 4
    Gangnam Style — PSY (2012)

    Seven weeks at No. 2 — the K-pop solo benchmark that stood for 11 years until 'Seven' — and the first video ever to 1 billion YouTube views.

    Source ↗
  5. 5
    Who — Jimin (2024)

    Only No. 12 on the Hot 100 — but 33 weeks, the slow-burn US radio breakthrough that 'APT.' later passed for the K-pop longevity record.

  6. 6
    SaWaDiKa — Lisa (2026)

    70.8 million YouTube views in 24 hours — the second-biggest solo debut in YouTube history — yet only No. 69 on the Hot 100: the widest global-vs-US gap on this list.

  7. 7
    MONEY — Lisa (2021)

    1.44 billion Spotify streams — the most-streamed song by a K-pop female soloist ever — from a song that peaked at just No. 90 on the Hot 100.

    Source ↗
  8. 8
    One of the Girls — The Weeknd, Jennie & Lily-Rose Depp (2023)

    A soundtrack sleeper that climbed to No. 51 and spent 20 weeks on the Hot 100 — first female K-pop soloist to do either — and quietly hit 2.9 billion Spotify streams.

    Source ↗
  9. 9
    Rockstar — Lisa (2024)

    No. 1 on Billboard's Global Excl. U.S. chart — the world loved it, America barely noticed: No. 70 on the Hot 100, one week.

  10. 10
    Mantra — Jennie (2024)

    The softest US landing of the 2024 solo wave — No. 98, two weeks — yet it opened an album era (Ruby) that debuted No. 7 on the Billboard 200.

    Source ↗